My grade: 5 stars
GoodReads Blurb: Around the world, black handprints are appearing on doorways, scorched there by winged strangers
who have crept through a slit in the sky. In a dark and dusty shop, a devil’s supply of human teeth grown dangerously low.
And in the tangled lanes of Prague, a young art student is about to be caught up in a brutal otherwordly war.
Meet Karou. She fills her sketchbooks with monsters that may or may not be real; she’s prone to disappearing on mysterious “errands”; she speaks many languages–not all of them human;
and her bright blue hair actually grows out of her head that color.
Who is she? That is the question that haunts her, and she’s about to find out.
I had a hard time thinking of reading another book after finishing Daughter of Smoke and Bone. This is the most fantastic read of 2011 for me.
The writing is utterly beautiful. The chapters so smooth as if they just lined up effortlessly. The words just flowed from the pages through me and touched me.
I can’t explain it, and I think it is quite amazing how one work of fiction can evoke so many emotions, but I felt like I had been there before. Not like a trope that has been used time and time again or a set-up that felt old and familiar and completely unsurprising.
But somehow it felt like coming home, like I’d walked those winding streets of Prague along Karou before.
At a first glance, Karou may be someone to envy. She is young, beautiful and talented, she has a wonderful best friend and her own flat in Prague, decorated with artifacts and knick-knacks that she has picked up from her “trips” around the world.
But there is a sadness surrounding her and a part missing inside her.
She has to keep one of her realities unknown to the humans around her.
Karou was raised by the chimaera Brimstone in his workshop in Prague. But this workshop is also in many other cities in countries around the world. The front door can open to any of these cities and let Karou – who is not part human and part animal like the chimaera – out on a mission. What does Brimstone actually do with the stuff – most of it teeth – that Karou picks up for him? He pays for them with wishes, but no magic comes without suffering. Karou has seen some terrible things on her collection errands, and she tries to not dwell on them and comforts herself that things worked out well for those who had lost their teeth, unwillingly.
Where does the other door in Brimstone’s study – the one that Karou has never seen open – really lead?
As the book blurb states, black hand-prints start to appear on doorways around the world. On a trip to Marrakesh, where Karou meets with the only one of the human sellers of teeth that she has ever liked, (and who, by the way, is quite obsessed with the connection mustache =clever man: Nietzsche, Twain…), she becomes the target of the seraphim Akiva. He injures her and while she recuperates in the workshop – from which Brimstone is curiously absent – she gets a glimpse of another world before being unceremoniously turfed out by Brimstone and basically told she is not welcome again.
From here, the story shifts up to a faster pace and the plot thickens. It turns out that Akiva might just know who she is, but will she like what it is he has to tell her?
This book took hold of me and did not let go, still hasn’t. It is magical, it has loss and sorrow, friendship and impossible love. It is about the cost of war, about trust and betrayal and getting up and doing something about it.
Read it – you won’t regret i!
(read in October 2011)